翻訳と辞書
Words near each other
・ Phil McClellan McNagny Jr.
・ Phil McColeman
・ Phil McConkey
・ Phil McCordic
・ Phil McCrea
・ Phil McCullough
・ Phil McCumisky
・ Phil McDermott
・ Phil McDonald
・ Phil McGeoghan
・ Phil McGraw
・ Phil McGuinness
・ Phil McGuire
・ Phil McGuire (field hockey)
・ Phil McGuire (footballer)
Phil McKellar
・ Phil McKenzie
・ Phil McKinnely
・ Phil McKinney
・ Phil McKnight
・ Phil McMullen
・ Phil McNally
・ Phil McNeely
・ Phil McNulty
・ Phil McQueen
・ Phil McSpadden
・ Phil Mead
・ Phil Mealey
・ Phil Medley
・ Phil Meeler


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Phil McKellar : ウィキペディア英語版
Phil McKellar

Phillip Jeffrey McKellar is an Australian record producer and audio engineer. At the ARIA Music Awards McKellar has received nine nominations in the categories of either Producer of the Year or Engineer of the Year. These include You Am I's "Good Mornin'", "Tuesday" and Spiderbait's ''Ivy and the Big Apples'' (1997, engineer), The Cruel Sea's "Hard Times" (1998, producer), Spiderbait's ''Grand Slam'' (1999, engineer, producer), Grinspoon's ''New Detention'' (2002, engineer, producer), Sunk Loto's ''Between Birth and Death'' (2004, producer), and Something with Numbers' ''Perfect Distraction'' (2007, producer).
== Biography ==

In the late 1970s Phil McKellar worked at the Australian Broadcasting Commission (later renamed as Australian Broadcasting Corporation).〔 In 1978 a fellow worker, Steve Adam, invited him to join an experimental music outfit, the Informatics, alongside Ramesh Ayar, Valek Sadovchikoff and Michael Trudgeon. Trudgeon explained their stance "We were driven by a love of the possibilities of what synthesizers and sequencers could do... Quite often the songs were shaped by the textures and rhythms that this new and exciting technology could generate. I think we were more interested in what we could experiment with rather than compete with well-established genres. The future looked exciting."〔 In August 1982 McKellar issued a solo track, "Some Good Things to Do", which was compiled on a give-away cassette, ''Fast Forward 12'', with ''Fast Forward Magazine''.
From 1990 to 2000 McKellar worked as live music producer for national youth radio station, Triple J. McKellar later recalled "I'd been recording a lot of stuff for Triple J – Nirvana, Peal Jam and Red Hot Chili Peppers." In April 1994 a demo version of "Tomorrow" by Newcastle teen band, Silverchair, won the Pick Me competition.〔 McKellar produced the group's debut single at the Triple J studios in Sydney, he remembered "It sounded amazing and it was a strong song and as it got whittled down (its original seven minutes ) it focused it more and more... I guess it was obvious to me there was definitely talent involved."〔 From 30 October 1994 it peaked at No. 1 for six weeks on the ARIA Singles Chart. At the ARIA Music Awards of 1995 "Tomorrow" won Single of the Year, Highest Selling Single, and Breakthrough Artist – Single.〔 McKellar was nominated as Producer of the Year.〔
McKellar worked as a producer and sound engineer at Hardboiled Productions (1996-2010). He has also worked with many rock bands such as Dirty Three, The Mark Of Cain, Frenzal Rhomb, The Butterfly Effect, Kisschasy,〔(Kisschasy review )〕 Ash, The Sunpilots, Tumbleweed, Nitocris, One Dollar Short, The Getaway Plan, The Hot Lies, Crash Arcadia and Chasing Gravity. He currently works at ABC Radio National as an audio engineer.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Phil McKellar」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.